Special guest Marc-André Hamelin headlines the final program of Los Angeles Chamber Orchestra’s popular Chamber Series. He performs Nadia Boulanger’s post-impressionist Three Pieces for Cello and Piano, and Franck’s expressive […]
The 5-time Grammy winner is LA Phil's first ever Creative Chair for Jazz and the first person ever to sing on the Walt Disney Concert Hall stage. She makes her […]
Brahms’ influence seeped into American composer Amy Beach’s chamber music—from the introduction’s slow and sinister arpeggios to the intense chromatic race to the finale.
Composers find inspiration in many place. With many musical examples and vibrant visuals, Alan Chapman explores these sources of inspiration and how they are translated into music.
Domingo Hindoyan leads Prokofiev’s celebratory Fifth, with star pianist Mao Fujita interpreting Rachmaninoff.
How did T. rex become the iconic apex predator of North America 66 million years ago? Paleontologist Dr. Lindsay Zanno explores how a global climate crisis during the Cretaceous changed […]
For 65 years, Alvin Ailey American Dance Theater has showcased the work of diverse choreographers and they return to The Music Center to launch a multi-year residency.
Adams conducts his homage to “the peculiar ambience and mood of L.A. noir films” and a world premiere by Timo Andres.
Belles-Lettres showcases Justin Peck’s exceptional choreographic talent as he weaves together a tapestry of emotions and stories. Frank Bridge Variations embodies the sensual style Hans van Manen is known for, […]
Salonen leads the San Francisco Symphony in John Adams’ massive orchestral exploration, plus violinist Lisa Batiashvili performs Sibelius’ dramatic concerto.
With 10 GRAMMY Awards, 10 Dove Awards, a Soul Train Award, and they as Members of the Gospel Music Hall of Fame, Take 6 will introduce a preview of their […]
Established in 2003, The Colburn Orchestra is the flagship ensemble of the Colburn Conservatory of Music. This talented group of young musicians perform Prokofiev's Piano Concerto No. 2.
